Earl Smith;132554 wrote:Hi Webtrekker , Im sure John will also back me up with this reply.
It is not just the cost of a DTG that needs to be considered , a DTG will need a dedicated operator just for it. Or, at least someone who will/can run the DTG every day. You will need orders coming in daily for it so it can be efficiently used and doesnt clog up.
I tried a DTG and for the first few months things were great. It ran every day. But then I started to get more and more embroidery orders in so the DTG was used less. I just didnt have time to run prints through it. Eventually after leaving it for three days the white was clogged and to get it working again I needed at least half a day to clean it out. This was happening more often than I needed so I got rid of it.
It produces a great print and so far cant be beaten in print quality. I eventually bought an Oki white and with the new RIP program that you buy for the Forever papers it will produce a print more or less like the DTG. The gradients arent there in such quality but ask yourself how often you need a gradient fill. In my work place, not very often.
This new Reveal white system ( once the paper for dark is out and proves itself) could be just what Subli printers are looking for. Im staying with the OKi because Ive invested enough in it and Im happy with it too.
I regularly leave my NeoFlex standing for more than a week without any problems. I run the maintenance when I come to print and all is fine. I program the printer to do a spit & clean every 8 hours - this seems to keep things running fine.
The environment is very important for DTG printers. In the USA and other dry/hot climates, they have to use humidifiers to keep their printers running. In wales, we don't have the same sort of challenges as it's often raining here

and when it's not, the humidity is always quite high. Wales is a perfect location for DTG printers
I do occasionally hit on problems but my knowledge of the printer gets me through - my hair and patience often thinning though.
I have no idea what the newer breed of DTG printers are like, I'm aware of problems with the Epson Surecolor but the new Brothers and other brands, some costion £100,000 plus, no idea.
I'm more than happy with my NeoFlex, it's still churns out unbelievable prints
